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Contemporary Artist
What are we really looking at?
TEZUKAYAMA GALLERY, Osaka, 2026
A solo exhibition questioning the reliability of images and the conditions of perception.
A solo exhibition questioning the reliability of images and the conditions of perception.
MA
AKI GALLERY, Taipei, 2025
An international group exhibition situating lenticular and installation works within a broader global discourse on perception, presence, and image instability.
An international group exhibition situating lenticular and installation works within a broader global discourse on perception, presence, and image instability.
GAKUENMAE ART FESTA 2024
Asanuma Memorial Hall (Video Room), Nara, 2024
A group exhibition presenting lenticular and installation-based works that expand photographic perception into spatial and bodily experience.
A group exhibition presenting lenticular and installation-based works that expand photographic perception into spatial and bodily experience.
You may be in this world. Or you may not be.
TEZUKAYAMA GALLERY, Osaka, 2021
A pivotal exhibition marking the shift toward lenticular works, in which human presence oscillates between appearance and disappearance, foregrounding perceptual instability.
A pivotal exhibition marking the shift toward lenticular works, in which human presence oscillates between appearance and disappearance, foregrounding perceptual instability.
Still Remained
TEZUKAYAMA GALLERY, Osaka, 2018
An exhibition addressing memory and temporal residue through layered photographic works, framing perception as an accumulation of time rather than a fixed moment.
An exhibition addressing memory and temporal residue through layered photographic works, framing perception as an accumulation of time rather than a fixed moment.
Complex / Crushed / Condolence
TEZUKAYAMA GALLERY, Osaka, 2013
An early solo exhibition examining the fragility of photographic images through physical intervention and fragmentation, questioning the stability and authority of visual representation.
An early solo exhibition examining the fragility of photographic images through physical intervention and fragmentation, questioning the stability and authority of visual representation.
Other Exhibitions
The Wheel of existence
CONCEPT STORE SEE?, Hyogo, 2023
A solo exhibition reflecting on impermanence and cyclical transformation through photographic and mixed-media works.
A solo exhibition reflecting on impermanence and cyclical transformation through photographic and mixed-media works.
MISATO KURIMUNE Solo Exhibition
Auberge Genju, Gifu, 2020
A transitional exhibition focusing on temporality and material change across multiple series.
A transitional exhibition focusing on temporality and material change across multiple series.
Guestroom "Sougetsu no Ma"
Mr. KANEYAMA Residence, Kyoto, 2019
A site-specific exhibition exploring spatial perception and transitional states, later informing subsequent solo presentations.
A site-specific exhibition exploring spatial perception and transitional states, later informing subsequent solo presentations.
From the Extreme of Subcutaneous to the Return to Reason
TEZUKAYAMA GALLERY, Osaka, 2016
A self-portrait-based exhibition examining the tension between bodily impulse and rational control.
A self-portrait-based exhibition examining the tension between bodily impulse and rational control.
Flash⇆Infinity
eN arts, Kyoto, 2015
A solo exhibition exploring visual fluctuation and discontinuity, focusing on transitional states in which images oscillate between emergence and dissolution.
A solo exhibition exploring visual fluctuation and discontinuity, focusing on transitional states in which images oscillate between emergence and dissolution.
ART OSAKA 2014『Complex Wedding』
Hotel Granvia Osaka, 2014
A solo presentation exploring image fragmentation and visual tension within the context of an art fair.
A solo presentation exploring image fragmentation and visual tension within the context of an art fair.
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